After Hours some sceens seem like just an academic in-joke,
but actually it has a lot to do with the spirit of the film. Paul, the central
figure in After Hours, is an office worker who goes out one night to meet a
girl and finds himself caught up in a web of events that threaten his sanity
and his life. Both characters start as young, smug, middle-class men. Joseph
Minion’s script for this film starts by showing us Paul in his office,
training a co-worker, completely bored with his situation and disengaged from
the people around him. But the
development is so carefully structured that we’re with the film all the way.
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