Joseph
Minion’s script for After Hours starts by showing us Paul in his office,
training a co-worker, completely bored with his situation. Unexpectedly, a young
woman, Marcy, starts speaking to him. Paul is immediately interested, and she
ends up inviting him to the loft she’s staying at. From that point on,
everywhere he turns there’s a new challenge, and it seems there’s no way he can
win. Minion draws us into situations that at first seem completely realistic,
then slowly become incredibly bizarre.
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