Joseph
Minion’s script for After Hours starts by showing us main character in his
office, training a co-worker, completely bored with his situation and
disengaged from the people around him. Later, Minion references both Henry
Miller and Franz Kafka in the same movie says a lot about the conflicts the
author is dealing with. He draws us into situations that at first seem
completely realistic, then slowly become incredibly bizarre. But the
development is so carefully structured that we’re with the film all the way.
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