Joseph Minion

  Joseph Minion’s script for After Hours starts by showing us Paul in his office, training a co-worker, completely bored with his situation. Unexpectedly, a young woman, Marcy, starts speaking to him. Paul is immediately interested, and she ends up inviting him to the loft she’s staying at. From that point on, everywhere he turns there’s a new challenge, and it seems there’s no way he can win. Minion draws us into situations that at first seem completely realistic, then slowly become incredibly bizarre.

    After Hours some sceens seem like just an academic in-joke, but actually it has a lot to do with the spirit of the film.   Minion’s script for this film, the development is so carefully structured that we’re with the film all the way.   You can understand the importance of Joseph Minion screenplays. And applying this method to your friction can provide many advantages like improved pacing and a stronger character.

  After Hours some sceens seem like just an academic in-joke, but actually it has a lot to do with the spirit of the film. Paul, the central figure in After Hours, is an office worker who goes out one night to meet a girl and finds himself caught up in a web of events that threaten his sanity and his life. Both characters start as young, smug, middle-class men. Joseph Minion’s script for this film starts by showing us Paul in his office, training a co-worker, completely bored with his situation and disengaged from the people around him.   But the development is so carefully structured that we’re with the film all the way.